Do you know what a wordle is?

ANSWER: http://ABC4All.net


You will need to have Java installed on your computer to see the ANSWER!

http://www.java.com/en/

Tonight I joined a dynamic discussion about how to make TheStoreFront Community project self-sustaining...and I couldn’t help but flash back into the early days of when TakingITGlobal was founded and we had our discussions on what future directions we would take and how our ideals and dreams could be transformed into actionable plans. Of course, even after 9 years of having the ‘idea’ of TIG, the essence of having challenging strategic conversations still remains part of my current reality – however the energy in the room this evening reconnected me to the Fall of 2000, when we hosted meetings with invitations sent out to friends, organizations and those who joined our website from Toronto.



The dynamics of the room jolted from cohesive and interconnected to somewhat tense given the financial realities of the project. Earlier this year, a 1000 square foot store front space was established in order to serve as a support and communication network in the context of an urban village. Starting in January, the costs of rent will be doubled and the project in its current state does not generate enough revenue to afford costs of rent or administration. That said, an exciting range of events have taken place in recent months including a documentary with interviews of people in the neighbourhood, the inaugural BIG on Bloor Festival (bigonbloor.com/festival), the “b-l-o-o-o-o-r” design campaign including sales of well designed American Apparel t-shirts and bags, the “Everything Local” silent auction event and hosting of meetings, events and exhibits including the Afri Village Fest front window presence & photo documentation.

The project was made possible through a partnership between ThinkTankToronto, Business Improvement Area Office, and a group of students and faculty at the Ontario College of Art and Design (OCAD).

A key driver and designer of the initiative is a former TakingITGlobal staff member, Ghazaleh Etezal who is currently 21 and worked with us as a graphic designer in 2006. As I connected with Ghazaleh this evening, it was amazing to see her in action in her role as one of the connectors and in hearing people reference her contributions of design, research and coordination for TheStoreFront. It was also great to chat with Ghazaleh this evening and hear her attribute TakingITGlobal as part of her inspiration for the project.



In many ways, the place based goals of creating community for TheStoreFront initiative are aligned with the global online community objectives for TIG. As explained on the website, TheStoreFront aims to be “the common space between two separate disconnected worlds of youth, institutions, neighbourhood NGOs, programs and services available within the BloorCourt and BloorDale Villages (Christie to Lansdowne on Bloor West).” On a conceptual level, it is intriguing for me to observe and be part of a conversation about how to grow and sustain a space that supports vibrant community engagement.

Some of the ideas shared this evening that are most interesting to me include:

- Having a paid membership fee (i.e. $10/month)
- Hosting regular meetings (weekly or monthly) for ‘members’ to attend which would serve as a social space, with topics of discussion
- Utilizing the space to feature the products of local artists (i.e. clothes, jewlery, artwork)
- Having a cafe space with organic chocolate & other organic snacks sold
- Renting out the space to community organizations for events/meetings
- Offering workshops to help meet needs of community members (i.e. English as a second language, or focusing on a particular craft/skill with guest speakers etc).
- Establishing a core base of volunteers (i.e. a partnership with the neighbouring Working Women Community Centre), to offer an experience for newcomers to Canada living in the neighbourhood which would help to ensure that core responsibilities are fulfilled (i.e. keyholders with people who are responsible for opening & closing up the space)

One concern that emerged from the discussions was the issue of timing and how challenging it will be to raise sufficient funds in time for the end of the year. There was some discussion on what the concept or project would be if it did not live in the specific space at 957 Bloor W – however most of the ideas generated were aimed at trying to keep the space alive.
If it ends up not being feasible to maintain the 957 Bloor W StoreFront space due to costs, my recommendation is to develop stronger partnerships with existing places designed for the community (i.e. local community centres, employment centres, libraries etc) and try to help revitalize existing spaces that are supported by the government and that have a history of serving the community. While I love the idea of transforming commercial spaces into being community driven and serving, it may be too challenging to develop a financially sustainable model at this current time due to current economic realities.

On a final note...I do hope that the financial challenges can be overcome and that a proven model can be developed, shared and scaled with other communities!

Here's a list of who came:

Night at the Indies / Meow Films: Gurbeen
Community Arts Collective / Daily Bread Food Bank: Jim
BIG and BIG Festival: Ann
People Plan Toronto: Ann
DIG IN: Donna / Ann
Torontopedia: Himy
Working Women: Diana / Jessica
BloorCourt BIA: Shelley
IF Theatre: Sara
Supportive, active, creative, engaged dedicated locals: Ryan / Michelle / Phil / Darcy / Leah / Leigh / Chatherine S / Craig / Camilo
Delaware Residents (Street Festival): Rosalie
Delaware Open Space: Darcy
Humanist Movement: Nick / Roberto
Sistering (past Chair): France
Green Party: Steve
Annex Lions Club: Monica
Wireless Toronto: Gabe
Concord Café: Genoveva
Christie Ossington Neighbourhood Centre: Tim
Dufferin Grove Residents Association: / Rob
Anarchist U: Christian / Maggie
Laidlaw Foundation: Ana
Globe & Mail: Nadja
Property Owner 957: Robert Markovits
Chemistry Branding (consultant and partner): Will
Jim Allen Photo: Jim
TakingITGlobal: Jennifer

[unconfirmed]
Freedom Clothing: Amanda
Parkdale Liberty: Jennifer
ArchiTEXT: Zahra
Long & McQuade: Jon
Toronto Poets: Jason / Hajile
Linux Caffé: David

(Written for SAWNET, http://sawnet.org/books/reviews.php?Aids+Sutra)



Today there are approximately 3 million Indians living with HIV and AIDS, a number that masks the human faces behind a disease that has been reviled and misunderstood as the worst plague in human history. A disease often considered to afflict only those regarded as the dredges of society, AIDS has the potential both to expose the dark underbelly of society, and also to inspire triumphs of human compassion and perseverance.
AIDS Sutra, funded by the Gates Foundation, is a compilation of 16 vibrant essays about Indians living with HIV by some of South Asia’s most gifted authors, including Salman Rushdie, Vikram Seth, and Kiran Desai. Several of the essays are narrated directly from the authors’ home communities; others are the fruition of their travels to the vastly different regions of India.

Siddharth Deb’s poignant account, “The Lost Generation of Manipur,” brings him to a remote corner of India bereft of employment opportunities and constantly on edge due to communal violence. Uncontrolled injecting drug use in the region puts young people of working age especially at risk for HIV infection.

Salman Rushdie’s piece on the politics and culture of the hijra (intersexed and/or transgender) community is a concise account of a population that defies society´s common [mis]perceptions around gender and HIV risk. Rushdie interviews a transgender AIDS activist named Laxmi, who lives in a constant duality of gender- going as a man by day and living with her parents, and transforming into a woman at night and on the weekends. Her advocacy on behalf of this distinct community in India has helped to distinguish hijras as a third gender- with different needs and challenges than men who have sex with men.

Other stories included in the book examine the lives of truck drivers, sex workers, and devadasis, women traditionally given to god, and nowadays women who choose or are forced into sex work as a means of income generation. In Sunil Gangopadhyay’s essay, “Return to Sonagacchi,” the author returns home to Kolkata to compose a compelling account of the lives of sex workers in Sonagachhi, narrating both the deprivation they face and also their power as an organized movement fighting for their rights as sex workers to safety, health services, education for their children, freedom from police persecution, and dignity.

Bill and Melinda Gates give the anthology’s introduction, and its insightful forward is written by the Nobel Prize-winning economist and author of Development as Freedom, Amartya Sen. Sen revolutionized the traditional economic paradigm by asserting that development is not simply about increasing per capita income, but rather “a process of expanding the real freedoms that people enjoy.” His examination of the economic effects of AIDS in India is nuanced in its consideration of both the beneficial impact of Indian pharmaceuticals in producing affordable antiretroviral drugs for much of the world, and the irony that income disparity in India prevents the majority of Indians living with HIV from accessing treatment, quality medical facilities, shelter, employment opportunities, and community support.

Sen argues that stigma is the primary fuel of the epidemic in India, where widespread ignorance pervades about how HIV is—and is not—transmitted. Among young Indians just reaching working age, knowledge how HIV is spread is dismally low at 25% of the population according to UNAIDS (20% comprehensive knowledge among women and 36% among men). Because many Indians still believe that HIV can be transmitted through touch, sharing food, or through aerosol transmission, Indians living with HIV face discrimination in schools and workplaces, ostracization, rejection from their families, and in many cases, violence and even death.

India’s uncomfortable and often times paradoxical relationship with sex and sexuality is often at the root of ignorance and discrimination against HIV, with 87% of new infections in India occurring through unprotected sexual intercourse each year according to India’s National AIDS Control Organization. Despite an ancient culture rich in celebration of natural human sexuality, imperial-era taboos surrounding sex continue to create a stifling conservatism that limits access to scientific information about sexually transmitted infections, reproductive health, and the rights of women and sexual minorities.

In Amit Chaudhuri’s essay, “Healing,” he remarks that “The troubling ambiguity of sex through history— the fact that it bestows life and pleasure, and also, in a way that can’t be entirely explained by morality, confuses and shames— have converged in a new way upon this disease.” His interviews with Alka Desphpande, an AIDS researcher and physician in India’s first AIDS ward, reveal the challenges faced even by the medical community in becoming educated about HIV. Large numbers of Indian health care workers still believe that HIV is transmitted by touch, and widespread denial of treatment and discrimination against people living with HIV is common.

The first essay “Mister X Versus Hospital Y” by Nikita Lalwani tells the story of a Dr. Tokugha who is infected with HIV and becomes an important activist when his results are disclosed to his family (and bride-to-be’s family) before he himself is made aware of his status, just days before the wedding. His lawsuit against the hospital’s breach of his privacy sparked controversial debate and the release of his name in newspapers all across India. The court ruled against him, “decreeing that the hospital’s release of the information to the minister without his consent had ‘saved the life’ of Toku’s proposed fiancée. The essay forces us to consider the complexities behind forced disclosure of one’s HIV status. Not only was Dr. “Toku”’s right to self-disclose taken away from him, the judge tacked on a devastating addition to the ruling, that suspended the right of HIV positive people to marry. The laudable human rights organization, The Lawyers’ Collective, fought for years to restore this basic human right to people living with HIV, succeeding in 2002. Since then, Dr. Toku has become a prominent physician in the field, and goes above and beyond by arranging matches between people living with HIV.

Discrimination and national legislation intersect most brutally in India with the penal code provision 377 that makes homosexuality a criminal offense. Drafted in 1860 during British Rule, the anachronistic law fines and imprisons Indians caught in the act of sodomy and even oral sex for between ten years and a lifetime in jail. The law has served to drive homosexuality “underground” where men having unprotected sex with men cannot be reached for HIV awareness raising, sexual health services, STI screening, or recourse for police persecution and demanding of bribes.

One story included in the collection was strikingly disappointing— to the point of giving offense. Shobhaa De’s “When AIDS Came Home” reveals the author’s ignorant, discriminatory and classist lack of understanding of HIV and AIDS. Her account of how her driver becomes infected with HIV and gradually dies from AIDS is peppered with comments about her “repulsion” that he had spent so much time with her children, speculations about his involvement with sex workers and his sexuality, and self-congratulatory accolades when she provided occasional money for a doctor or medicine.

De’s piece examines her misconceptions about AIDS and vaguely suggests that she has seen the error in her was (perhaps simply because it would not be politically correct to admit otherwise), but still fails to include what lessons she has learned. Indeed, to conclude her story Shobhaa marvels that “Although they are such an intimate part of our lives, how little we really know about the people who work for us… it took Shankar’s death to see him as a human.” She concludes by lying to her children and telling them that the driver was infected through a blood transfusion because the reality that many men purchase sex is too shocking to bear.

By far the most thought-provoking inclusion in the anthology, Siddharth Dhanvant Shanghvi’s “Hello, Darling,” diverges from the book’s overall focus on more “marginalized” populations of sex workers, drug users and truckers, to recount the life experiences with HIV of an upper-class homosexual film director whose pseudonym is given as “Murad.” Openly flamboyant, driven to success, and yet still slow to “come out” about his homosexuality, and later, HIV status, Murad escapes the confines of Bombay and moves to New York City. He is unable to move in the local film circuit and returns to Bombay years later, where he eventually succumbs to AIDS.

Shanghvi’s piece is particularly well-researched and deeply-felt; his account considers early chronicles of the impact of AIDS on art and artists in Edmund White’s “Esthetics and Loss,” and the strange phenomenon of how AIDS “got noticed,” as explained in Urvashi Vaid’s “Virtual Equality,” in which she observes “how the passing of an entire generation from AIDS helped give rise to the modern idea of homosexuality: thousands of men had to die, in fact, to have to be seen as alive in the first place.” Shanghvi’s inclusion was particularly important and contrasted sharply with De’s story. “Hello, Darling” should serve as a wake-up call to elites believing in their infallibility, since the risk behaviors that propel the spread of HIV in India are by no means limited to lower socioeconomic echelons of society.

Overall, the anthology is an important, moving, and transformative read. Each story is relatively brief and gives a taste of the authors’ diverse and prolific literary talents. Some tales, such as De’s, are clearly geared toward upper class Indians who are beginning to understand the complexities of the AIDS epidemic in India. Still others delve into economic, political and human rights aspects of the disease. Till now, literature and artistic works on AIDS in India have been limited and relatively unknown. AIDS Sutra gives voice to communities and individuals that have been destroyed, silenced, affected and transformed by AIDS in a jarring and yet deeply meaningful manner.

Art for me
is a journey
into the unspoken, unknown, unwanted and unheard
realities of our shadows
and of our hopes.

We are suspended in time
glimpsing in the mirror
of our future and our past
They flash before us and cause a jolt
of hope, of fear, of want, of release.

Our senses on overload
we admire and adore
our object of fascination
representing the idol we love
and demon we hate.

we forgive
we empathize
we heal
we bathe
in beauty
and bliss.

This is art
for me.

alberton: Clive Booth Chair of National Lottery asks how should the lottery spend its money: http://tinyurl.com/6dx8g8 (need to log into UnLtdWorld)

alberton: (while waiting for the water to boil). Reading IBM's Government 2020 and The Perpetual Collaboration Mandate - interesting stuff.

alberton: Dinner time. Spaghetti with pesto.

alberton: I actually think this will lead to more accidents: http://tinyurl.com/5ucnlo

alberton: Checking out Oligarchy: http://www.molleindustria.org/en/oiligarchy